Emirates Airline Festival of Literature 2020

The EAFOL 2020 is fast-approaching – it’s being held slightly earlier than usual this year, running from Feb 4-9 with an action-packed programme of international authors, agents, illustrators and coaches.

I’m taking part in two sessions this year:

Tomorrow, I Will Fly

Thursday 6 Feb 2-3pm
Intercontinental Dubai Festival City

Late last year, best-selling author Clare Mackintosh and I spent a week as writers-in-residence at Dubai Central Prison. The result is Tomorrow, I Will Fly – an anthology of stories and essays written entirely by inmates of Dubai’s penal and correctional institutions.

Discussing this unique project’s positive impact on prisoners’ rehabilitation with us on a panel will be Colonel Jamila Al Zaabi, director of Dubai Women’s Prison, and Major General Nasser Al Razooqi, who was one of Dubai’s very first police officers.

Come along and join the celebration of a ground-breaking project in the Arab world as we launch Tomorrow, I Will Fly at the festival.

Tickets available here.

 

Publishing 101

Friday 7 Feb 4-6pm
Intercontinental Dubai Festival City
AED249

Do I need an agent? Who will edit my manuscript? How do I get a publishing deal?
Writers, if you’ve ever asked yourself these questions, Jessica Jarlvi and I have once again teamed up to offer just the workshop for you.
From polishing your manuscript to marketing your finished novel, ‘Publishing 101’ aims to answer all these questions and more in an interactive, two-hour session. Get your tickets here.

 

Montegrappa Writing Prize

Jessica Jarlvi and I held a workshop on Saturday for those intending to enter the annual Montegrappa Writing Prize, held by the Emirates Airline Festival of Literature. I won the competition in 2013, and Jessica was a runner-up in 2016 – since then, we’ve both gone on to become published authors.

In 90 minutes, we covered what you need to do to win: namely, submit a killer synopsis and the first 2,000 words of your work, which should begin with an intriguing hook. We worked on how to create your elevator pitch, how to work that up into a synopsis, and examined what the synopsis needs to cover. We also looked at opening sentences that would grab the attention of the judge, ways to create three-dimensional characters, how to pace your action, and did some work on the famous ‘show, don’t tell’. In the words of Chekhov, ‘Don’t tell me the Moon is shining – show me the glint of light on broken glass.’

At the end, Jessica and I sat one-by-one with the participants and gave individual feedback on their potential competition entries to help them get their work into the best possible shape.

Even if you weren’t at our workshop, there’s still time to enter the Montegrappa Writing Prize – and you could win the attention of top London agent, Luigi Bonomi.

Highlights of the Emirates LitFest 2019

The Emirates Airline Festival of Literature really is the highlight of the year for any book-lover in the region, weaving together as it does voices from all over the world to enjoy a unique environment of talks and cultural events over two action-packed weekends.

The Desert Stanzas evening, featuring Zeina Hashem Beck, Talal Aljunaibi, Selina Tusitala March (the New Zealand poet laureate), LionHeart, Anis Chouchene, Frank Dullaghan and the wonderful Afra Atiq speaking under the stars in the silence of the desert, was a particular highlight for me.

Here’s what I got up to:

Montegrappa panel

Luigi Bonomi (agent), Flora Rees (editor), Karen Osman (Montegrappa winner 2016) and myself (Montegrappa winner 2013)

Luigi said publishers are still looking for psychological thrillers despite the market being saturated because readers are still buying it. Publishers are also looking for ‘uplit’ – stories with happy endings.

The 2019 winner of the Montegrappa Writing Prize was announced as Polly Phillips: a graduate of the Montegrappa workshop Jessica Jarlvi and I ran last November! Good luck Polly!

‘Is the Future Social?’ panel:

Ty Tashiro (psychologist), Katharine Osmerod (author) and myself

Ty revealed that ‘popular’ people and ‘likeable’ people use social media in different ways. While popular people, with huge followings, tend to use it for personal gain, people considered to be ‘likeable’ use it to lift up others by ‘liking’ their posts and posting encouragement.

The consensus on the panel was that social media is now a part of the fabric of our lives, so learning how to use it responsibly; limiting time wasted on it; and protecting our data (from companies as well as from individuals) were things everyone should be looking at doing.

 

‘How to Write a Novel in 30 Tips’ Masterclass

As this was a 90-minute class, I decided to deliver 50 ‘tips’ instead of 30. Aimed at people who were either struggling to start a novel or who had got stuck after started, my tips covered everything from hooking in the reader to preventing a ‘soggy middle’ and leaving your reader satisfied at the end.

As it was, I created my own tension by nearly running out of time – thank you all for coming! If you were in the class and would like a copy of the tips, please email me on annabel@annabelkantaria.com

School visits

Last week, I visited two schools as part of the Emirates Airline Festival of Literature’s Education Programme.

I spoke to the Year 7s and 8s at The Oxford School and the Year 7s, 8s and 9s at GEMS Founders Al Mizhar School about what the job of author entails, how to become an author (clue: write a book!) and what sort of characteristics might help you become an author.

It always surprises children to hear that writing is only a small part of the job of author and that, by the time you factor in research, editing, marketing, social media, talks, teaching, networking and so on, the writing often takes a back seat.

Pupils and teachers at both schools couldn’t have given me a warmer welcome – I loved the banners! – and the students asked brilliant questions but my favourite moment was when a boy came up to me at GEMS Founders Al Mizhar.

‘I’m going to be an author,’ he told me, ‘and I’m going to be bigger than JK Rowling. And when I am, I’m going to look back on your talk today and remember it as my inspiration.’ I wish with all my heart that his dream comes true and that, one day, he’ll be signing his book for me.

EAFOL runs from March 1-9. Browse the programme and get tickets here.

How do I get a literary agent?

I was a guest on the Afternoons with Helen Farmer show on Dubai Eye yesterday, talking about writing and getting published with fellow author Brandy Scott.

Her debut Not Bad People, about a group of friends who suspect they may have caused a light aircraft to crash when they launched a Chinese lantern (that’s not a spoiler btw), was published this week and sounds brilliant.

We talked a bit about our routes to publication: I was lucky in that I won a competition that got me a toe in the door of top London literary agent Luigi Bonomi, while Brandy had the incredible experience of emailing an agent her idea and being taken on, but it’s often not that simple.

Helen opened up the lines for questions and the overwhelming query people had was along the lines of: I’ve written something, how do I get it in front of an agent?

I have a few pointers regarding the market in the UK:

• Buy the Writers’ & Artists’ Yearbook, which is published every year and lists all the agents in the UK, along with contact details and how they wish you to approach them i.e. whether they want a covering letter and synopsis, or the first three chapters. This book is invaluable. The link above takes you to Amazon, but I’ve also seen it in bookshops in Dubai.
• Do your research. Use the Writers’ & Artists’ Yearbook to target an agent who’s interested in the type of manuscript you’ve written: don’t send poetry to an agent looking for crime.
• Use social media. Get onto Twitter and search the hashtag #askagent; follow agents, and get a feel for the market. When you submit, point out in your covering letter why you think you’re a good fit with that particular agent, and include any info or experience that makes you sound like an author they’d want to take on.
• Enter competitions. Obviously, I’m biased because that was my route in, but aside from offering you a foot in the door of the publishing world and getting your name noticed, who doesn’t want to be able to be able call themselves a prize-winning author? There are plenty of competitions for unpublished authors; some of the bigger ones even offer the winner a publishing contract.
• Visit literature festivals: many now offer ‘quick pitch’ sessions with top agents, giving you a chance to get your work in front of an agent. Even if they don’t like your work, the feedback they can give in just five minutes could be priceless.
  The Emirates Airline Festival of Literature in Dubai offers these sessions with Luigi Bonomi this coming March. Check it out here.
• Sign up for writing courses and masterclasses: there’s no harm in polishing your technique while you’re waiting for your publishing deal. If you have the time and inclination, you can do excellent online novel-writing courses at the Faber Academy and at Curtis Brown Creative. I’m teaching my own masterclass at the Emirates Airline Festival of Literature this year, too. Good luck!

 

Annabel at the Dubai LitFest

Long post alert!

The 2019 Emirates Airline Festival of Literature runs from March 1-9 and tickets are now on sale. This festival has a special place in my heart, for it’s there that I won the Montegrappa Prize and took my first step on the path to becoming a published author. This year I’ll be returning to the festival for three events:

How to Write a Novel – A Masterclass in 30 Tips

Sat 9 March, 4-5.30pm. AED 200. InterContinental Dubai, Festival City.

I can see I’m going to be busy over the next few weeks getting my tips lined up! But when I look back over the last five years, from winning the 2013 Montegrappa Writing prize as an unpublished author, to today, when I’ve four novels out in the shops and have just submitted my fifth manuscript to my editor, I realise how much I’ve learned.

Before I won my publishing contract, I attended as many Masterclasses at the EAFOL as I could: Greg Mosse, Mark Billingham, Marina Lewycka, Tony Parsons, Louise Doughty, Alexander McCall-Smith and Peter James to name a few. I learned that every author has a different style of writing and a different approach to writing a novel, and I learned something valuable from each and every one of those authors.

Since publication, I’ve learned even more about writing through working with the talented editors at my publisher, HQ Stories, and with my agent, Luigi Bonomi, who has an uncanny ability to cast an eye over a synopsis and tell me in a sentence exactly what’s wrong with it.

I can’t get you published, but I hope my masterclass will push you a little further along the road toward finishing your novel, getting it in shape for submitting, or even to winning an agent and a publishing deal. You can buy tickets here.

Is the future social?

Thu 7 March, 7.30-8.30pm. AED 75. InterContinental Dubai, Festival City.

I’m really looking forward debating the pros and cons of social media with Katherine Ormerod and Ty Tashiro on this panel. As expats, many of us rely on social media not just for work, but to stay in touch with friends and family overseas. But is it all good?

My fourth novel, ‘I Know You’, is about a woman who’s a little naïve, a little careless about what she posts on social media, and the trouble it gets her into; I did a lot of research in order to write it. I’m generally a fan of social media for the reasons above, but I can’t stand all the showboating and fakery you see on Instagram so I can’t wait to discuss this with Katherine, whose book is called ‘Why Social Media Is Ruining Your Life’.

Ty’s an expert in the science of relationships and online dating (something I’ve never done – yes, what a dinosaur!). One of his books is called ‘The Science of Why We’re Socially Awkward and Why That’s Awesome’ – as one who often hides behind the written word, I love the sound of that and will definitely be reading it before the Litfest.

As social media affects so many of us, I think this will be a lively and interesting debate – come and join us! Tickets are available here.

The 2019 Montegrappa Prize

Sat 2 March, 12-1pm. AED 75. InterContinental Dubai, Festival City.

This is the event every budding writer will be attending! As the winner of the inaugural Montegrappa Prize back in 2013 I’m delighted to be sharing the stage this year with my agent, Luigi Bonomi, who judges the competition, and my friend and fellow author, Karen Osman, who won the prize in 2016 and has gone on to have two books published.

Before Luigi announces this year’s winners, Karen and I will be discussing with him what winners will need to do after the competition in order to turn their brilliant success into a writing career. Clue: lots of hard work! Tickets are available here.

Win the Montegrappa Writing Prize!

On Saturday, I got together with one of my fellow Montegrappa prize-winners, Jessica Jarlvi, to present a two-and-a-half-hour workshop for those entering the Emirates Airline Festival of Literature’s Montegrappa Writing competition this year. This competition was the springboard to success for both of us, gaining us the attention of top London literary agent Luigi Bonomi, and paving the way for us both to sign up with him as an agent and gain our book deals.

The workshop was called ‘How to write a best-seller’ but I would have titled it ‘How to win the Montegrappa Prize’ as the advice we gave was very specific to the competition entry.

For that, you need to submit a 400-word synopsis of your story, plus the first 2,000 words of the manuscript, so we covered topics such as: what is a synopsis and why you need one; how to write a synopsis; how to write an elevator pitch; how to hook the reader with your opening sentence; where to start your story; how to ‘show don’t tell’; common mistakes; and things we wish we’d known when we entered the Montegrappa Writing Prize. We also read the participants’ entries (in advance, not on the day!) and gave individual feedback on them.

We were impressed with the originality of the stories people have to tell: if this is you, and you’re thinking of entering the competition, head over to the EAFOL blog for our specific tips on writing the synopsis and the first few pages so you can maximise your chances of winning.

And, speaking of the EAFOL, the author line-up for 2019 was announced yesterday. Tickets don’t usually go on sale till around January, but I don’t think it’s ever too early start planning the best two weeks of the year – do you?

The Montegrappa Writing Prize 2018 is now open!

In 2013, I became the first person to win the Montegrappa Writing Prize for unpublished authors at the Emirates Airline Festival of Literature. To say it changed my life would be an understatement. Not only did I win professional validation from judge Luigi Bonomi of LBA Agency in London, but I won a foot in the door of the literary world.

Luigi Bonomi guided me through getting my manuscript ready to sell, then secured me a three-book publishing contract, which was later renewed for another three books with HQ Stories at Harper Collins.

Unpublished writers in the UAE, this could be the break you’ve been waiting for. All you need to do is enter 2,000 words and a synopsis. Find out everything you need to know, and how to enter, here.

Montegrappa winners!

When I won the Montegrappa Prize for First Fiction at the Emirates Airline Festival of Literature back in 2013, no-one knew how things would turn out: it was the first time a competition of this nature had been run in Dubai and, unlike in similar competitions in the UK, no book contract was offered. What I had won, though (aside from a marvellous trip to the London Book Fair thanks to Emirates Airline and The Inter-Continental Park Lane), was a toe in the door of top agent Luigi Bonomi in London.

Over the next year, Luigi helped and encouraged me to get my first draft of Coming Home ready for him to sell. I had a tense few weeks while we waited to hear the publishers’ verdicts – and quite a few rejections – before I was offered a three-book deal with Harlequin MIRA.

Since then, many new writers have got their start thanks to the Montegrappa / Emirates Airline Festival of Literature competition, and Luigi has seen much success bringing new writers to publication. A nice spin-off from this has meant that we now have a lovely group of authors living here in Dubai.  Here are a couple of pictures of various Montegrappa winners and runners-up taken at the Emirates Airline Festival of Literature 2017.