Emirates Airline Festival of Literature 2020
The EAFOL 2020 is fast-approaching – it’s being held slightly earlier than usual this year, running from Feb 4-9 with an action-packed programme of international authors, agents, illustrators and coaches.
I’m taking part in two sessions this year:
Tomorrow, I Will Fly
Thursday 6 Feb 2-3pm
Intercontinental Dubai Festival City
Late last year, best-selling author Clare Mackintosh and I spent a week as writers-in-residence at Dubai Central Prison. The result is Tomorrow, I Will Fly – an anthology of stories and essays written entirely by inmates of Dubai’s penal and correctional institutions.
Discussing this unique project’s positive impact on prisoners’ rehabilitation with us on a panel will be Colonel Jamila Al Zaabi, director of Dubai Women’s Prison, and Major General Nasser Al Razooqi, who was one of Dubai’s very first police officers.
Come along and join the celebration of a ground-breaking project in the Arab world as we launch Tomorrow, I Will Fly at the festival.
Tickets available here.
Friday 7 Feb 4-6pm
Intercontinental Dubai Festival City
Do I need an agent? Who will edit my manuscript? How do I get a publishing deal?
Writers, if you’ve ever asked yourself these questions, Jessica Jarlvi and I have once again teamed up to offer just the workshop for you.
From polishing your manuscript to marketing your finished novel, ‘Publishing 101’ aims to answer all these questions and more in an interactive, two-hour session. Get your tickets here.
How do I get a literary agent?
I was a guest on the Afternoons with Helen Farmer show on Dubai Eye yesterday, talking about writing and getting published with fellow author Brandy Scott.
Her debut Not Bad People, about a group of friends who suspect they may have caused a light aircraft to crash when they launched a Chinese lantern (that’s not a spoiler btw), was published this week and sounds brilliant.
We talked a bit about our routes to publication: I was lucky in that I won a competition that got me a toe in the door of top London literary agent Luigi Bonomi, while Brandy had the incredible experience of emailing an agent her idea and being taken on, but it’s often not that simple.
Helen opened up the lines for questions and the overwhelming query people had was along the lines of: I’ve written something, how do I get it in front of an agent?
I have a few pointers regarding the market in the UK:
- Buy the Writers’ & Artists’ Yearbook, which is published every year and lists all the agents in the UK, along with contact details and how they wish you to approach them i.e. whether they want a covering letter and synopsis, or the first three chapters. This book is invaluable. The link above takes you to Amazon, but I’ve also seen it in bookshops in Dubai.
- Do your research. Use the Writers’ & Artists’ Yearbook to target an agent who’s interested in the type of manuscript you’ve written: don’t send poetry to an agent looking for crime.
- Use social media. Get onto Twitter and search the hashtag #askagent; follow agents, and get a feel for the market. When you submit, point out in your covering letter why you think you’re a good fit with that particular agent, and include any info or experience that makes you sound like an author they’d want to take on.
- Enter competitions. Obviously, I’m biased because that was my route in, but aside from offering you a foot in the door of the publishing world and getting your name noticed, who doesn’t want to be able to be able call themselves a prize-winning author? There are plenty of competitions for unpublished authors; some of the bigger ones even offer the winner a publishing contract.
- Visit literature festivals: many now offer ‘quick pitch’ sessions with top agents, giving you a chance to get your work in front of an agent. Even if they don’t like your work, the feedback they can give in just five minutes could be priceless.
The Emirates Airline Festival of Literature in Dubai offers these sessions with Luigi Bonomi this coming March. Check it out here.
- Sign up for writing courses and masterclasses: there’s no harm in polishing your technique while you’re waiting for your publishing deal. If you have the time and inclination, you can do excellent online novel-writing courses at the Faber Academy and at Curtis Brown Creative. I’m teaching my own masterclass at the Emirates Airline Festival of Literature this year, too. Good luck!